CREATIVE & DESIGN LEADER

ABOUT ME decorative text

I’m a multidisciplinary creative leader with 20+ years building enterprise marketing systems, sales enablement programs, and AI-powered creative platforms that drive revenue growth for B2C and B2B technology companies.

I’ve led global and national efforts across digital, social, experiential, and traditional channels for powerhouse brands like Arby’s, The Home Depot, Coach Outlet, Dippin’ Dots Ice Cream, and Wizards of the Coast. I’ve also launched proprietary AI platforms and developed sales enablement systems across 36 countries—translating complex technical capabilities into compelling business narratives for C-suite buying committees.

SKILLS decorative text

Proven ability to lead creative at scale

Strategic mindset for platform innovation

Fluency in building cross-functional, agile teams

Relentless dedication to team development and retention

Enterprise sales enablement expertise

AI/ML platform development and thought leadership

B2B SaaS marketing experience

Hybrid creative-technical capability

Exceptional campaign performance results

Credibility with clients and stakeholders

Global marketing experience

BRANDS I'VE WORKED WITH decorative text
BRANDS I'VE WORKED WITH decorative text
ENTERPRISE EXPERIENCE decorative text

The Home Depot – Orange Apron Media (Retail Media Platform)

Mainspring AI – Trade School’s Proprietary Creative Automation Platform

BCD Travel – TripSource B2B SaaS Platform (available in 36 countries)

Profisee – Master Data Management Software for Microsoft Azure

Trade School – Enterprise Healthcare, CPG, and Technology Clients

AWARDS decorative text

RECOGNITION & INDUSTRY IMPACT

While my recent focus has been enterprise B2C and B2B marketing and AI platform development, my body of work spans consumer brand campaigns that have earned industry recognition:

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AAF Regional Addy’s

1 Gold

  • Innovative Use of Interactive/Technology

2 Silver

  • Direct Mail 3D/Mixed
  • Apparel
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AAF Atlanta Addy’s

5 Gold

  • Direct Mail 3D/Mixed
  • Art Direction Campaign
  • Social Media Campaign
  • Online Campaign
  • Art Direction

4 Silver

  • Innovative Use of Interactive/Technology
  • Apparel
  • Social Media Single Execution
  • Innovative Use of Technology

3 Bronze

  • Specialty Advertising: Merchandise
  • Branded Content
  • Professional Award—Social Campaign
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Cannes Lions

Silver: Social Influencer

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Content Marketing Awards

Best Use of Facebook

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Digiday Awards

2 Finalist

  • Social Media Team of the Year
  • Brand of the Year
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International Echo Awards

Bronze: Art Direction

Runner-Up: Content

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Effie North America

Gold: Sustained Success – Products

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Esquire Gaming Awards

Best Feast for Gamers

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PR News Social Media Awards

Winner: Facebook | Community / Engagement

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Shorty Awards

2 Gold

  • TikTok Partnership
  • Art Direction

1 Silver

  • Real-Time Response

1 Bronze

  • Food & Beverage

3 Finalist

  • Gamification
  • Restaurants
  • Strategy & Engagement / Real Time Response
EVENTS & PRESS decorative text

Before going agency-side in 2016, most of the strategy and creative work I did was in the background: sales enablement tools and executive presentation decks, white papers and infographics, creative strategy and content/collateral development for trade shows and events, and using data to develop more effective tools and processes for the teams I built. I was a passionate, hands-on contributor and thought leader—but not often a public speaker outside of industry events and product roadshows.

That all changed when I joined the Arby’s social content team and I was put into the limelight. I was invited to several conventions to speak and do live crafting demos, and the larger team was invited to multiple events to speak on behalf of the brand. The biggest stage we were on was at SXSW in 2019, where we spoke about building brand engagement through niche marketing strategies. My team’s primary objective for most of the time I worked on the Arby’s social account was Brand Affinity… and our content obviously hit a sweet spot for a lot of people. We had a number of writeups across every corner of the internet from Adweek and AdAge to Rolling Stone, Fast Company and TMZ to obscure fan-centric subReddits.

For “Arby’s Missing Menu” TikTok Influencer Campaign

For the Hardy Daytona from “Final Fantasy 7: Remake”

Read More
Final Fantasy 7 Remake Launch Inspires Tributes From The Doom Slayer, Arby’s
“An awesome piece of fan art and some amazing cardboard papercraft are two of the ways companies are tipping a hat to FF7.”

“…what’s really crazy about these replicas isn’t just the fact that they’re life-like and that a fast-food chain created them, but the fact that they’re made out of nothing but sandwich boxes. The same sandwich boxes that barely stretch over a foot in length. It must have taken hundreds of these things to pull something like this off.

The amount of attention that went into each model’s design is staggering. The Hardy-Daytona model made excellent use of stenciling and cut-outs to capture most, if not all, of the details of Cloud’s bike. Arby’s even used foil to create the illusion of a honed-edge for the Buster Sword.”

For General Nerdiness / Love for the Arby’s Content

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Foodbeast Article screenshot
“Don’t get me wrong, there’s plenty of creativity in the fast food space. But Arby’s just took it to another level.

“Arby’s… has revamped its brand and advertising strategy over the last several years, which has proven to be effective. … the brand has since revamped its social media presence to not take itself too seriously while also engaging with niche audiences such as the video game community who responds to its gaming references, giving its fans more reason to share and engage with their content.”

Why Arby’s Twitter Is All Over Gaming Right Now

“While gamers might not have been thinking about Arby’s, it’s obvious from the range of games subject to the company’s social creative efforts that the small team working on them has definitely been thinking about games.”

For #MakeMySandwich

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Thrillist Make My Sandwich article screenshot
“Late last week, the chain hired an artist to create portraits made of sandwich fixin’s. People tweeted to Arby’s with the hashtag #MakeMySandwich, and they made a sandwich in the shape of that person’s face. It wasn’t just some vague resemblance, either. The sandwiches were incredible likenesses of people and characters. (Even if the creation wasn’t the most delicious sandwich in the world.)”

For DCI Championships 2018

For Anime Expo 2018 / Nightmare

Kotaku  |  Adweek  |  GameRevolution  |  EventHubs  |  Reddit  |  Destructoid
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Adweek Nightmare article screenshot
“Arby’s has built a strong reputation among some of the nerdier niches of the internet thanks to its meticulously well crafted pieces of art, made entirely from packaging and food, that anchor both the chain’s Instagram and Twitter accounts.”

“The company—which specialises in fast food and nerd jokes on Twitter—worked with cosplay costume and props builder Volpin Props to construct a Nightmare statue from Soulcalibur that stood a very impressive 7’8”.”

For E3 / Jump Force

For Saucy_AF

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AdAge Saucy_AF article screenshot
“This week, Arby’s began offering its saucily-named font–Saucy_AF–for download. The AF, the fast-feeder says, stands for “Arby’s Font,” but you can go ahead and interpret it however you’d like.”

“…Saucy_AF is clearly a joke, but also simultaneously a very real thing, making it the perfect millennial marketing stunt.”

For Brandi Chastain’s Hall of Fame Portrait

For SONY PlayStation’s God of War Game Release

For Ranma 1/2

For Anime Expo 2017

For Nintendo’s Switch Announcement

For “Geek the Halls” Facebook Live